Course Three: Intermediate Energy Balancing:
BioSignatures & BioGeometry Design
(Two Day Course. Prerequisite: Course One and Two)
This course deepens and extends the student’s ability to balance and work creatively with living energies. Methods to evaluate the condition of any aspect of the human energy field are taught using anatomy charts and Vibrational Radiesthesia principles; analysis can take place at any level of structure from DNA up to organs and whole body systems. Hundreds of BioSignatures (copyrighted by BioGeometry energy systems and developed over 30 years by Dr. Ibrahim Karim) are given to the student with full exploration of techniques to apply them beneficially to human energy conditions. The Principles of BioGeometry Design are introduced with multiple new practical applications taught.
I. Energy Balancing through BioSignatures
Topics include:
* Central and Peripheral Energy Systems of the Body.
* The principle of Geometric Resonance and its powerful applications.
* The History of BioSignatures. and the different types developed.
* The different kinds of Biosignatures: Organs; Energy Systems; Energy Qualities; Spiritual; Illness Balancing; Personal Diagrams.
* Evaluation of the BioGeometry Medallion in the Egyptian Hepatitis C Research Project.
* How to balance energy using BioSignatures.
* Methods to adjust BioSignatures for individual needs: BioNumerals.
* How to evaluate a person’s energy on an anatomy chart.
* Protocols for using BioSignatures for energy balancing.
* Acceptable and unacceptable usages and claims regarding BioSignatures and energy balancing.
Practical Exercises include:
1. Using anatomy charts to analyze a partner’s energy field and energy conditions.
2. Applying BioSignatures to balance a partner’s energy.
3. Modifying BioSignatures through BioNumerals for specialized effects.
4. Drawing BioSignatures and testing their energy emissions.
5. Different methods of using BioSignatures.
6. Emergency methods of using BioSignatures.
7. Testing oneself for detrimental energy impregnation or conditions and correcting them with BioSignatures.
8. Using anatomy charts at any scale to find and correct imbalances.
9. Using charts of the subtle body.
II. Advanced Color Balancing
Topics and Practices include:
1. Color balancing a person’s organs, chakras, or energy condition through color balance in a space.
2. Color balancing a person through color on the body.
3. Color balancing specific problems.
III. BioGeometrical Design Principles
Topics include:
* Creating rotation with design.
* Connecting to the center.
* Radiated Space and Enclosed Space.
* Interface: Creating energy through combining surfaces or materials.
* Transparency: Energy effects from an unseen pattern defined by some of its visible parts.
* Use of positive and negative space in Transparency.
* Shifting: Creating 3-D effect on a 2-D surface.
* The spiritual significance of Perspective.
* Creating energy effects from 45 degree angle emitters.
* The importance of 7-fold repetitions in design.
* Gateway energy emissions.
* The nature of the vital East-West energy flow.
* Adapting the "L" principle for intermediate applications.
* Nature’s recognition of proportions and the secret of the Golden Mean Proportion.
Practical Applications include:
1. Creating rotation and beneficial energy emissions in static designs.
2. Creating and aligning a 45 degree emitter.
3. Creating and aligning a Gateway emitter.
4. Creating and testing the energy from a 7-fold emitter design.
IV. Additional Topics
* Summary of the qualities of the BG3 and practical methods to create them.
* Clearing environmental problems with BioGeometry.
* The effect on energy fields of changing from day to night (and visa versa).
* The Geometries of the Seven Spiritual Planes.
* Creating powerful energies through "Silent Sounds" and the creation of the Silent Sound CD.
* Advanced courses in BioGeometry
